We wrapped all of the recording for the new album, “The Ghost of John Henry” this weekend with our final cello, guitar, and vocal sessions, in addition to getting some miscellaneous percussion tracks. Percussion “instruments” on this record will include chains, old cast iron jail keys, artillery shells, homemade stomp box, a “thunder tube” (not a double entendre) and regular, more normal things like drums, shakers, tambourine, what-have-you. That was a fun session to do. Also, I shaved my beard to celebrate. Here’s a look at the weekend, and how everything came together throughout the sessions:
I jokingly gave Jaron, our engineer, a hard time in this video — he just got back from a tour of Australia and New Zealand with the Dresden Dolls and has been working literally around-the-clock mastering another project that’s way more high-profile than anything I’m likely to do, but he still made room for us. I have to be serious and thank him publicly for his ability and insight throughout this process. The majority of my previous recording experience has been decidedly lo-fi, so the sound and performances on the record owe a tremendous debt to him. If you need studio time in the LA area, www.jaronsound.com gets our official endorsement (expect the Sci-Fi Romance bump now, my friend).
You can hear the first record “…and surrender my body to the flames” over on our Bandcamp page.