Our new EP, featuring five tracks, will release digitally on May 8, 2020. This collection represents a more forceful, loud, and insistent vision for more insistent times. Pre-order now and get an immediate download of “When the Levee Breaks.”
As I work on demos for the next album, I’ve been thinking a lot about lyrics, naturally. Then I decided to have a little fun with the lyrics on our releases so far, and make word clouds out of them.
Here’s what happens when you plop all 40 Sci-Fi Romance original songs into a word cloud generator (I used wordclouds.com)
I was a little surprised “Don’t” made such a strong showing, but I realized it shows up in the choruses of at least four songs, so there you go.
Then I broke down each album, and tried to generate clouds in thematically-appropriate shapes. Here’s our latest, Dust Among the Stars.
There’s “Don’t” again. I think it’s mostly from the songs “Autumn Waltz” and “Please Don’t Cry.” Here’s a look at The Ghost of John Henry.
“Love” feels about right. Finally, the first album, …and surrender my body to the flames.
Ok, I know I said, “finally”…but, actually finally, I decided to do one more. The EPs don’t really have enough songs on them to have a ton of lyrics, but since the site had this one more particular shape that was perfect, I decided to do our EP October, where all the songs were inspired by classic horror movies.
There’s “don’t” again, but “Dead” and “Break” seem totally appropriate. I really like these. I’ll probably do one for the new record, and if you make any for your band, or your favorite artists (or authors), link to them in the comments or or Facebook or Twitter. I’d love to see them.
My folks were both raised in small, rural towns in Texas, but moved to Houston in the 1970s, where I was born. I spent my childhood, then, living in the suburbs and for holidays, summers, different events, shuttling back and forth out to farm and ranchland and towns too small for grocery stores. I spent a lot of time there.
A few years ago, my grandmother started experiencing rapidly declining health. I had moved to Los Angeles by then, an even bigger city even farther away, and felt tremendous remorse at not being around. I spent a lot of time thinking about the days and weeks I’d spent as a kid with my grandmother — and the self-sufficiency that kids were just expected to have. The here’s-a-dollar-walk-into-town-and-buy-some-candy-or-something-be-back-for-dinner laissez-faire approach to childcare that was so empowering and fun and formative and now has almost been literally outlawed. It’s a shame. The song “Fields” came out of those memories.
As I was working on this album, my grandmother passed on. While I was packing for the trip to go back to Texas, it dawned on me that while the emotional ties I have to that area will always be there, the literal and physical ties were now almost gone. Even now, I could no longer navigate the roads with no names that I drove so many times to get to her house. So I took a camera with me, because I didn’t want to forget those scenes and images that to be honest I took for granted for too much of my childhood.
A lot of footage I shot on that trip made it into this video. Maybe that could seem morbid to some, or too personal, but to me it’s a celebration. This was a difficult song to sing in the studio, something I tried not to shy away from in the video, and it was a difficult video to put together. But this is all very deeply a part of me, and wrapping it in a few bars and pictures and handing it to the world like that felt like the best way I had of sharing it.